PERRONE, Antonio (2021) ‘Fictio’ e realtà nella lirica barocca. Il rapporto cronaca-poesia nella Napoli del primo Seicento. [Pubblicazione in rivista scientifica]
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11693-Articolo-48716-1-10-20210726.pdf Available under License Creative Commons Attribution. DOI: https://doi.org/10.6092/issn.1721-4777/11693 Download (222kB) | Preview |
| Item Type: | Pubblicazione in rivista scientifica | ||||
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| Resource language: | Italiano | ||||
| Title: | ‘Fictio’ e realtà nella lirica barocca. Il rapporto cronaca-poesia nella Napoli del primo Seicento | ||||
| Creators: |
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| Date: | July 2021 | ||||
| Number of Pages: | 19 | ||||
| Institution: | Università degli Studi di Napoli Federico II | ||||
| Department: | Studi Umanistici | ||||
| Original publication URL: | https://griseldaonline.unibo.it/article/view/11693... | ||||
| Journal or Publication Title: | Griseldaonline | ||||
| Nazione dell'editore: | Italia | ||||
| Date: | July 2021 | ||||
| ISSN: | 1721-4777 | ||||
| Volume: | 20 | ||||
| Number: | 1 | ||||
| Page Range: | pp. 51-68 | ||||
| Number of Pages: | 19 | ||||
| Keywords: | Aristotele; Barocco;cronaca; poesia; Vesuvio | ||||
| Settori scientifico-disciplinari del MIUR: | Area 10 - Scienze dell'antichità, filologico-letterarie e storico-artistiche > L-FIL-LET/10 - Letteratura italiana | ||||
| Access rights: | Open access | ||||
| Date Deposited: | 19 Oct 2022 08:27 | ||||
| Last Modified: | 19 Oct 2022 08:27 | ||||
| URI: | http://www.fedoa.unina.it/id/eprint/13409 | ||||
| DOI: | https://doi.org/10.6092/issn.1721-4777/11693 |
Collection description
The article aims to shed light on disasters’ baroque poetry of Southern Italy. It compares the compositional structure and the language of three printed ‘reports’ on the Vesuvius eruption in 1631 (written by Cesare Braccini and Vincenzo Bove) with the ode Al Vesuvio per l’incendio rinovato by Girolamo Fontanella. Its pur-pose is to show the similarity between prose and poetryin describing the volcano’s action on the surroun-ding environment(identical narrative sequences, similar lexicon and the use of stereotyped figures), plus, to address the issue of a poetic witness. Besides an accurate analysis of the texts, the introduction of the Aristote-lian theories on poetry, and contemporary baroque Poetics(as Giulio Cesare Cortese’s and Tommaso Cam-panella’s), will lead to a discourseon mimesis and verysimilitude. Moreover, it will be also useful for a clear interpretation of a kind of lyric poetrywhich seems to deal with the category of ‘reality’ more than that of ‘fictionality’
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