VICECONTE, Filomena Representar el contagio: Una mirada a la producción artística barroca sobre la peste. In: Las otras pandemias: Iconografías e historias de enfermedades entre los siglos XVI y XIX, 24-26 agosto 2021, Bogotá (Colombia).
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MemoriasXVJornadas Las otras pandemias 2021.pdf Download (2MB) | Anteprima |
Tipologia del documento: | Contributo a Convegno o Workshop ([non definito]) |
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Lingua: | Español |
Titolo: | Representar el contagio: Una mirada a la producción artística barroca sobre la peste |
Autori: | Autore Email VICECONTE, Filomena [non definito] |
Numero di pagine: | 19 |
Istituzione: | Università degli Studi di Napoli Federico II |
Dipartimento: | Studi Umanistici |
URL ufficiale: | http://www.museocolonial.gov.co/educacion/jornadas... |
Tipo di evento: | Conference |
Titolo dell'evento: | Las otras pandemias: Iconografías e historias de enfermedades entre los siglos XVI y XIX |
Luogo dell'evento: | Bogotá (Colombia) |
Data dell'evento: | 24-26 agosto 2021 |
Nazione dell'editore: | Colombia |
Luogo di pubblicazione: | Bogotá |
ISSN: | 2322-7141 |
Intervallo di pagine: | pp. 10-28 |
Numero di pagine: | 19 |
Parole chiave: | Epidemics, visual culture, baroque art, saints, iconography |
Settori scientifico-disciplinari del MIUR: | Area 10 - Scienze dell'antichità, filologico-letterarie e storico-artistiche > L-ART/02 - Storia dell'arte moderna Area 11 - Scienze storiche, filosofiche, pedagogiche e psicologiche > M-STO/02 - Storia moderna |
Diritti di accesso: | Accesso aperto |
Depositato il: | 19 Ott 2022 08:31 |
Ultima modifica: | 19 Ott 2022 08:31 |
URI: | http://www.fedoa.unina.it/id/eprint/13424 |
Abstract
Since the Middle Ages, epidemics have had a significant weight in the evolution of Western art, particularly in those territories of the Mediterranean area that were cyclically affected by contagion. For many artists, the plague has marked a before and after in the way of representing the themes of death, disease, healing and salvation. In addition to recreating the consequences of disease in the population, with increasingly surprising results toward a naturalistic interpretation of the effects of contagion on the human body, they explored the theme of the plague also in relation to devotion, elaborating outstanding visual devices for the devotion, featuring the locally invoked anti pestem saints. This presentation wants to make a journey through the most practiced iconographic solutions in baroque painting dedicated to the plague, in particular in religious images, where divine entities are represented in a desolate setting, between the sick bodies and the cadavers. In this type of composition, the plague is interpreted as a divine punishment, and sometimes this concept is visually resolved through the representation of arrows thrown by a wrathful God.
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