PERRONE, Antonio (2023) La poésie des désastres entre science et religion : la culture encyclopédique du baroque méridional. [Pubblicazione in rivista scientifica]
Full text not available from this repository.Item Type: | Pubblicazione in rivista scientifica |
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Resource language: | Français |
Title: | La poésie des désastres entre science et religion : la culture encyclopédique du baroque méridional |
Creators: | Creators Email PERRONE, Antonio UNSPECIFIED |
Date: | March 2023 |
Institution: | Università degli Studi di Napoli Federico II |
Department: | Studi Umanistici |
Original publication URL: | http://journals.openedition.org/laboratoireitalien... |
Journal or Publication Title: | Laboratoire Italien |
Nazione dell'editore: | Francia |
Place of Publication: | Lyon |
Publisher: | ENS Éditions |
Date: | March 2023 |
ISSN: | 2117-4970 |
Number: | 29 |
Keywords: | lyric poetry, science, Baroque, eclipse, metaphor |
Settori scientifico-disciplinari del MIUR: | Area 10 - Scienze dell'antichità, filologico-letterarie e storico-artistiche > L-FIL-LET/10 - Letteratura italiana |
Access rights: | Open access |
Date Deposited: | 12 Jul 2023 09:21 |
Last Modified: | 12 Jul 2023 09:21 |
URI: | http://www.fedoa.unina.it/id/eprint/14841 |
DOI: | https://doi.org/10.4000/laboratoireitalien.9630 |
Collection description
This article focuses on the reception of natural disasters in Baroque lyric poetry and aims to show the proximity between prose and verse in Southern Italy’s literary output. Through the analysis of three poems from the second half of the 17th century and their comparison with a scientific “discourse” by Tommaso Cornelio –on a solar eclipse in 1652–, it is possible to reveal not only similarities in the narrative structure of these texts, but also the use of the same images and the same lexicon. This study, which allows us to delve further into the relationship between science and poetry during the 17th century, outlines a poetic product that was very widespread in the Spanish Viceroyalty of Naples: the poetry of disaster. The demonstration also underlines that the poetry of disasters is the fruit of Neapolitan scientifical knowledge, as well as the particular product of a territory frequently struck by natural disasters.
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